Responsive digital design - interactive interior architecture

##plugins.themes.academic_pro.article.sidebar##

Published Mar 14, 2018
Download
PDF
Statistic
Vol 1 No 1 (2018)

##plugins.themes.academic_pro.article.main##

Alma-Dia Preda
Faculty of Architecture and Urbanism, Politehnica University of Timisoara, Romania
Oana Grecea
Faculty of Architecture and Urbanism, Politehnica University of Timisoara, Romania
Adrian Mihai
Faculty of Architecture and Urbanism, Politehnica University of Timisoara, Romania

Abstract

The research topic is based on the desire to align the architecture and design related responses to the current environmental, social, cultural conditions. Regarding all architectural proposals that are as complex, as they are “petrified” in time and space, we analyze the principles, according to which they should constantly auto-correct themselves depending on the exterior stimuli and the relevant occurred changes. Hence, architecture would become an interactive, live, responsive mechanism, which would meet users with the best solution, configured depending on the parameters that influence it in a particular moment in time.

##plugins.themes.academic_pro.article.details##

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use with proper attribution in educational and other non-commercial sectors.

How to Cite

Preda, A.-D., Grecea, O., & Mihai, A. (2018). Responsive digital design - interactive interior architecture. Journal of Architecture, Urbanism and Heritage, 1(1), 8-15. Retrieved from http://jauh.ro/index.php/JAUH/article/view/14

References

[1] E. Fischer, The Necessity of Art, Penguin Books. Cox & Wyman Ltd., London, 1963, http://www.brainyquote.com/quotes/quotes/e/ernst-fisch109043.html (last visit: 5.04.2015).
[2] L. Sullivan, The Tall Office Building Artistically Considered, Third Edi8on, Macmillan, New York, 1896, Chapter 4.
[3] Form follows Function, par. 3, http://en.wikipedia.org/wiki/Form_follows_function (last visit 5.04.2015).
[4] A. Loos, Ornament and Crime: Selected Essays, Ariadne Pr., Vienna, 1997.
[5] D. Jauslin, Architecture with Landscape Methods, Chair of Landscape Architecture TU Delft, 2012, pg. 29 par. 2.
[6] P. Schumacher, The Autopoiesis of Architecture, Volume II: A New Agenda for Architecture, John Wiley & Sons Ltd., Chichester, 2012, pg. 1 par. 2.
[7] P. Schumacher & R. Chan, Parametricism, 2013, min. 2:59, http://www.wallpaper.com/architecture/parametricism-film-by-patr-ik-schumacher-and-rosey-chan/6905 (last visit: 5.04.2015).
[8] J. Peter, Zeitgeist: Moving Forward, 2011, min. 9:30, https://www.youtube.com/watch?v=4Z9WVZddH9w (last visit: 5.04.2015).
[9] R. Coyne, Reflections on Technology, Media and Culture – What’s Wrong with Parametricism, http://richardcoyne.com/2014/01/18/whats-wrong-with-parametricism/ (last visit: 5.04.2015).
[10] P. Schumacher, The Autopoiesis of Architecture, Volume II: A New Agenda for Architecture, John Wiley & Sons Ltd., Chichester, 2012, pg. 10 par. 4.
[11] P. Schumacher, The Autopoiesis of Architecture, Volume I: A New Framework for Architecture, John Wiley & Sons Ltd., Chichester, 2011.
[12] http://reprap.org/, par. 1 (last visit: 5.04.2015).
[13] A. Boyer, RepRap, Manufacturing for the Masses, 2010, https://www.youtube.com/watch?v=gKc9cxBrsBY, (last visit: 5.04.2015).